Blog
About Natasha Kimstatsch
My artistic zeal is to recapture that link between universal soul and its expression and bring back the balance disturbed by turmoils of modernism and further decades of last century.
Opera Libretto Janus (c) 2025
Janus Synopsis: Ukranian girl Marita grows up under communism but is a teenager at the fall of Berlin Wall. She…
Gothic Art. From Darkness to Light or From Light to Darkness?
On exhibitions at Oslo National Museum and Fine Art Tjuvholmen. This spring saw two simultaneous epochal exhibitions: From Darkness to…
Bjarne Melgaard
The other day i walked through Vika Terrace to pick up my biker boots from shoe repair, to see by…
The Ghosts of Mariupol
Last year is spent in Rostov-on-Don, former Cossack County, on the border between Russia and Donbass, Ukraine, where i was…
Sculptor Dmitri Lyndin/The Russian Approach
Summer months I have been attending the studio of prominent Rostov, my birthtown, (Russia) sculptor Dmitry Lyndin, who had graduated…
Gog of Magog, St.Giles and MacGregors
Pulpit at St.Giles Cathedral, Edinburgh (c) Natasha A. KimstatschThe forgotten part of scottish hidden history is the legend of St.Giles…
Valhalla vs New Jerusalem in numbers
Valhalla. Hall of heroes, according to folklore meant to room in fixed amount of dead warriors for eternal bliss and…
Divine Marchesa. A short story (submission in Norwegian for Ephemera Online magazine (c) 2019)
Divine Marchesa The moment i saw his bed, his spartan hard one-man bed, it flashed like lightning through me: I…
A House to Die In. On Mausoleums in Art
A Mausoleum was a prominent burial tradition dating to ancient Egypt, when the remains were placed in a specially designed…